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History of Sexy Modelling : Models for life drawing classes are often entirely nude, apart from visually non-obstructive personal items such as small jewelry and sometimes eyeglasses. In a job advertisement seeking nude models, this may be referred to as being "undraped" or "disrobed". (Alternatively, a cache-sexe may be worn. Eadward Muybridge's historic scientific studies of the male and female form in motion, for example, has examples of both usages.)
In Western countries, there is generally no objection to either sex posing nude for or drawing members of the opposite sex. However, this was not always so in the past, particularly prior to the 20th century. In 1886, Thomas Eakins was famously dismissed from the Pennsylvania Academy of Fine Art for removing the loincloth from a male model in a mixed classroom. Similarly, Victorian modesty required the female model to pose nude with her face draped (illustration). European arts academies did not allow women to study the nude at all until the end of the nineteenth century. According to RAM guidelines in the U.K., art instructors and institutions consider the incident of a male model gaining an erection while posing cause for termination of the model's contract, or at any rate, grounds for not hiring him again. Policies may vary in other parts of the world.
During art school classes or an academic setting, it is commonly prohibited for anyone (including the instructor) to touch the model. Very close examination or requests for adjustment are typical—with the permission of the model. A few institutions allow only the instructor to speak directly with the model.
Additionally, nude models are sometimes paid to model as part of a performance or work of art; a fine example is the work of Vanessa Beecroft. Nude modeling can also occur in a private setting as demonstrated in the films As Good as It Gets and Maze. Finally, a person can be their own model, while solo, with or without mirrors.
History of Sexy Modelling : Models for life drawing classes are often entirely nude, apart from visually non-obstructive personal items such as small jewelry and sometimes eyeglasses. In a job advertisement seeking nude models, this may be referred to as being "undraped" or "disrobed". (Alternatively, a cache-sexe may be worn. Eadward Muybridge's historic scientific studies of the male and female form in motion, for example, has examples of both usages.)
In Western countries, there is generally no objection to either sex posing nude for or drawing members of the opposite sex. However, this was not always so in the past, particularly prior to the 20th century. In 1886, Thomas Eakins was famously dismissed from the Pennsylvania Academy of Fine Art for removing the loincloth from a male model in a mixed classroom. Similarly, Victorian modesty required the female model to pose nude with her face draped (illustration). European arts academies did not allow women to study the nude at all until the end of the nineteenth century. According to RAM guidelines in the U.K., art instructors and institutions consider the incident of a male model gaining an erection while posing cause for termination of the model's contract, or at any rate, grounds for not hiring him again. Policies may vary in other parts of the world.
During art school classes or an academic setting, it is commonly prohibited for anyone (including the instructor) to touch the model. Very close examination or requests for adjustment are typical—with the permission of the model. A few institutions allow only the instructor to speak directly with the model.
Additionally, nude models are sometimes paid to model as part of a performance or work of art; a fine example is the work of Vanessa Beecroft. Nude modeling can also occur in a private setting as demonstrated in the films As Good as It Gets and Maze. Finally, a person can be their own model, while solo, with or without mirrors.
While posing, the model is expected to remain motionless, like a mannequin, except for 'moving poses'. An experienced model will not speak, wriggle, scratch, or readjust during the pose, unless confronted by an artist or instructor who doesn't believe in complete stillness and silence in poses. To accommodate the physical limitations of the model, the model and instructor or artist may agree a schedule such as 25 minutes on, 10 minutes off to relax the muscles. The model's level of experience and skill may be taken into account in determining the length of the posing session and the difficulty of the poses.
In life drawing rooms of art schools, the platform where the life model poses for the students is sometimes referred to as the dais.